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CAIRO.

Facundo Thanks for the photo!
Friends: Here
update the developments that have emerged in recent days on the campaign "Save the Cairo." People
Alternative Rosario, has been contacting personalities in the field of cinema and the arts.
transcribe here the mails of support they have received, and I can play at this time.
There are many more, but have yet to give consent to their publication.

Eliseo Subiela :

Thanks for letting me add my testimony to that of so many sentient beings of Rosario.

If they close the cinema in Cairo, the ghosts of movies sleeping in the corners of the room, pursued by the rest of his days at all insensitive officials to allow Rosario to lose part of their cultural history.
Some of these ghosts are in my films, so I'll talk to them to be relentlessly annoying and tenacious, until we get together, ghosts, artists, neighbors and good people in general, saving a space in class, or first instance, belongs to a city whose cultural justifiable pride, space is built exactly like the mythical Cine El Cairo. Elisha
Subiela, filmmaker.

MARIO PIAZZA

As to Cine El Cairo, I think that is a feature of the city's identity that the city should care about preserving it. A city like Rosario, whose profile is based significantly on the cultural side, it should not be able to afford to lose is his last Traditional theater room activity and a jewel of its architectural heritage. No excuses, the National Institute of Cinema and Audiovisual Arts should be included in his program "INCAA Spaces", especially when the Rosary, with its important cultural activity in general and audio in particular, still has no room in this category.
and save not only the architectural and cultural heritage that is living but is open to the possibility Rosario spectators to see some of the many Argentine and Latin American films today do not arrive in theaters in our city, while that would open a space for the dissemination of the work of local filmmakers.
Thanks for the opportunity to say this.
Mario Piazza. Rosario. Argentina. CARLOS

COCA:

It was the last train and the station is deserted.
Drunks say goodbye and leave to different destinations.
the loving look at the time to act bitter, he will not come.
A star in the sky off forever.
The fisherman gathers her things and pedaling away.
The school yard is empty, there is not a single kid.
dancer hangs their shoes and massage the feet undone.
The hotel, resigned, put out a neon sign.
The lovers, soulless, given the sad final kiss.
The suicide puts his signature farewell note.
The drummer gives a left reverberating cymbals. Look
pianist who fell asleep over his instrument.
vase water dried up and the rose dies. Someone
off a fag, leave some money and leaves the bar.
Weeds invade the abandoned house.
The fire goes into the camp.
A gust blows and carried the ashes.

have closed the last film. THE CAIRO

29/03/2007
Carlos Coca

call

Definitions

cinema storytelling with pictures and movies sonidos.También call the place where we will see those work.
Now we can watch movies at home, on a bus, in the dentist's waiting room, but how do you call this? View a video, watch a DVD, watch a movie, but not see movies. Film
see in the movies. HUGO

GROSSO

"If the wind of a century has been with the palm trees that stand beside
your screen, than the ambition of man that can to the place where they are still possible
Dreams. " TITO GOMEZ



That we leave something ...

We already threw out the old wall of Junin, we closed all theaters in neighborhoods to turn into parking lots, Temple of Faith or branches of banks, and now that a week non-stop rains do not know how strange and how are you the evenings for some years in theaters in my neighborhood the American or Astoria or Chupines evenings in the old Sol de Mayo. Let me at least this reminds me of both those movies that are no longer. The last of the theaters / cinemas, multiplexes without shoping or nothing strange about, only that I cine.No simply confuse the voices of the film I'm seeing in the next room or hear noises bowling slot machines or electronic or youth running through the halls to buy 1 kg. of Pororo and 1 lt. Coca. Is Finally we have left in this city. To continue to enjoy all you can of the "tapes" that pass Cairo.

sad news but what should add daily?

filmmaker I graduated in 1985 from the Institute of Cinematographic Art de Avellaneda, from well before that date and until today I saw these giants falling dreams, these factories imagination and culture. First it was the mall's multiplex cinema and popcorn, then the internal divisions within rooms poor acoustics of the few to the debacle sobrivivieron Menem and finally: the demolition, real estate, the new star of marketing.

live in Lanus, a suburb south of Gran Buenos Aires, where the old Palace Cinema became a huge bingo and luxurious movie theater Opera an evangelical church. Previously, Sarmiento, the National or the Splendid had become commercial or seedy garages. Rex only survived, strong as Tyrannosaurus, noble and upright, but with the sadness of knowing endangered. And so, only clandestine notice usher old friend who knew how to keep these magical posters adorning doors, alerted me ... but no "representative of the people" took the responsibility to preserve our history, that space that transited our shoes worn small, collecting the coins for the tram and the entrance, then fled to our engagements, and later played host to our families. And, like the ones Olimareños say: "The progress of the fatal spike" did the rest.

I do not know what help they can give you my word, I hope, at least not alone in knowing the company. That unity in the struggle and achieve solidarity to save the giant. A warm embrace

Rubén Sacchi

Co-director

Lilith Magazine

also adhere:

Jorge Ginzburg.

Leo Masliah.

Pino Solanas. Hookah

Max.

Daniel Burman. Juan Pablo Zaramella

.

Fernando Spiner.

Gustavo Postiglione.

Lorena Bassani. (Clarín.com) Raúl Perrone

Lita Stantic

FESAALP: Festival of Audiovisual Arts of La Plata

continue updating the news!